FASHION FILMS, KENYAN HERITAGE, AND PROMOTIONAL AUDIOVISUAL HYBRIDS

Recently, I have had the pleasure to get back in touch with some wonderful colleagues from my previous research project (conducted at the Centre for Digital Cultures of Leuphana University) on audiovisual paratexts. They invited me to contribute to their blog Watching the Trailer that investigates the viewing/consuming context of trailers (what place, what media, what else is occurring and what comes after), and …